While that content isnвЂ™t overwhelmingly interesting, at least itвЂ™s enough to actually warrant a complete song. Echoed moments where the auto tune diminishes leaving GouldingвЂ™s raw sound are a pleasure, but the random repetition of certain lines in verses distracts from the lyrical content. вЂњAround U,вЂќ while mildly repetitive, has moments of clarity, that showcase GouldingвЂ™s talent. ItвЂ™s auditory overload and a distraction in and of itself. The verses offer cohesive content through a fresh rhythm however, the chorus effectively consists of the phrase, вЂњI donвЂ™t need nobody, need nobody but youвЂќ manipulated and morphed through auto-tune, moving the sound between GouldingвЂ™s and maybe her angry alien counterpart. вЂњDonвЂ™t Need NobodyвЂќ is the final song crippled in the name of repetition. Instead it regurgitates the same line with the same enthusiasm one would muster for a root canal. The chorus had potential - building with semi-consisted rhyming of вЂњnight,вЂќ вЂњfight,вЂќ вЂњigniteвЂќ and вЂњlight,вЂќ it sets itself up for a booming Calvin Harris-esque bass drop. In its final verse, the track goes as far as to repeat its title 15 times. вЂњHolding On For LifeвЂќ follows the same pattern. And even though itвЂ™s the most repetitive of the albumвЂ™s first quarter, its polished sound and catchy highlights the inferior aspects of preceding tracks вЂњAftertaste,вЂќ вЂњSomething In The WayвЂќ and вЂњKeep On Dancin.вЂ™ вЂќ

вЂњOn My Mind,вЂќ the strongest of the albumвЂ™s first four tracks, repeats the lyric вЂњWhy I got you on my mindвЂќ 28 times in three minutes and 33 seconds. Following an out-of-place intro, the majority of the 16-track LP consists of mediocre pop songs with choruses almost exclusively consisting of one or twoВ phrases.

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